When completing， with a free heart and an easy pen out of the context of day－to－day work， some retrospective and supplementary work of the Ganzi Tibetan trip we took in early summer， the sense of gratification I had all the time been inwardly longing for didn’t come up as expected． The various thoughts tossing on my mind at the moment， just as the mist on the summit of Minya Konka and Sanhuzhu Holy Mountain I faced over half a year ago， sometimes thick and sometimes thin， refused to drift away all long． Even the winter sun， going through the big glass windows and shining thoroughly into the study and on the illustration of the manuscript in front of me —“Sunshine on the Golden Mountain”， also could not boot my mood to be easy and bright． What is the matter with me？In the main body of the book， I have been talking a lot about Daocheng Yading and Shangri－La． Although incompetent in writing， the role I played can at least be considered as of a primary tour guide － the story of Daocheng Yading tells you， the piece of land known as “The Last Shangri－La” is indeed of great beauty and even the ultimate beauty． Walking relaxed on the land， the once illusory realm of Shambhala shall become more real in your eyes， and its tangible shape， its rhyme in your ears and its atmosphere that surrounds you will make paradise no longer a distant dream for you． This kind of feeling is most probably the same as Rock had during his visit here and more visitors thereafter． However， as a special visitor with the identity of an administrator in the tourism industry， I， at the same time when depicting the beauty of its mountains and waters， its strong flavor and pure custom， will inevitably have some contemplation and concern other than general tourists．
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